Amor Fati Mundi

Chip Holton
Amor Fati Mundi, 2025
Oil on linen
36 x 36 in.
Lucky 32 Southern Kitchen, Greensboro

Amor Fati Mundi, Also, Italy

The Story Behind The Canvas

Multiple images, one canvas.

Chip

Chip -

“It was serendipitous. The image is something entirely separate from the fountain in the background. Me making the decision to put the village behind this image is after I had the image already.”

There are two images in Amor Fati Mundi that are combined on the canvas, the foreground around the fountain which was a product of a dream Chip had years earlier and the setting of Also, Italy.

Chip had the dream sketched out, as he does every morning after a dream. The difference here is that Chip decided to pull the sketch out of his journal and recreate it on canvas. Once on the canvas, the backdrop flowed organically and pulled upon a memory. In this case, the memory was a place he lived.

The Village

Chip studied under his mentor, Jim Moon, the founder of the Art Department at School of the Arts in Winston-Salem. In the late 1960’s to early 70’s, Chip would visit the village of Asolo in northern Italy where Jim had a home. The village center has a fountain, a church, and a side street Via Roberto Browning, named after the American writer and poet, Robert Browning. Chip has fond memories of living there, studying the surroundings, and learning. He also enjoyed visiting with his friend, Peggy Guggenheim.

Chip

Chip -

“It’s the same village …over there on the back wall above 62 (booth 62). Which is the painting of me, painting an image of the downtown part of the village. First time I went to Italy he (Moon) had a house there and that’s why I stayed at his house when I went back there several times, but this image… is entirely desperate from the background. The background is like a backdrop for the image I had. I mean, I didn’t have to do it that way, but that is the way I did it.”

Chip often draws upon memories, people, places, and animals, that he has connected with and includes them in his pieces. Some ideas are scattered across multiple paintings and pieces. He does not set out to make a series, however you will see connections is some of his art as one can inspire another or simply bubble up organically.

The painting at booth 62.

The Dream Sketch

Placeholder

Political Engagement - sketch by Chip Holton
"The Image" - Chip named it Political Engagement when on its own, came to him in a dream. He sketched it in his notebook to save for later.
Asolo
Top: The" Image" came from a dream. Bottom: a sketch of Asolo.

The progression of the painting:

Chip

Chip -

“Everything was gray… it’s laid in charcoal and then I added color slowly. It keeps getting progressively stronger and more intense in value, and color – the color attached to the structures.”

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